This year’s entries include titles like Romania’s “Fjord,” which won the Palme d’Or at Cannes; Chile’s “The Meltdown,” which screened in Un Certain Regard; and Germany’s “Everytime,” which won Cannes’ Un Certain Regard prize.
France has not yet submitted a film, but faces several disparate choices.
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Fjord (Romania)
Image Credit: Courtesy of Tudor Panduru “Fjord,” written and directed by Cristian Mungiu, is Romania’s submission for the 2027 Oscars in the best international feature film category, having been unanimously chosen by the country’s selection committee.
The film premiered in the official competition at the Cannes Film Festival, where it won the Palme d’Or for best film, the FIPRESCI Prize, the Ecumenical Jury Prize, the Prix de la Citoyenneté and the François Chalais Prize.
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Aontas (Ireland)
Image Credit: Púca Pictures Told in reverse chronology, “Aontas” follows three unlikely thieves, led by a woman on the verge of a breakdown, who rob a rural Irish bank. Opening in the tragic aftermath of the heist-gone-wrong. What starts as a poorly executed robbery becomes a portrait of a wilful woman trapped in her own past. It stars Carrie Crowley (“The Quiet Girl “), Bríd Brennan, Eva-Jane Gaffney, Seán T. Ó Meallaigh, Marcus Lamb and Art Parkinson.
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The Meltdown (Chile)
Image Credit: ‘The Meltdown’ Courtesy of Mubi “The Meltdown” stars Maya O’Rourke – in her film debut – who plays a nine-year-old at her family’s ski resort who witnesses unsettling events that will test her loyalties. Other cast members are Paulina Urrutia, Mauricio Pešutić, Paula Zúñiga, Marcela Salinas and Lautaro Cantillana.
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All of a Sudden (Japan)
Image Credit: Courtesy of Neon, Cannes Film Festival
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Everytime (Germany)
Image Credit: Courtesy of The Barricades “Everytime” celebrated its world premiere at the 79th Cannes Film Festival in May. Wollner’s third feature film, for which she also wrote the screenplay, was selected for the Un Certain Regard sidebar where it won the Prix Un Certain Regard, the section’s top award. Cannes was followed by invitations to the Sydney Film Festival and the Karlovy Vary Film Festival, among others. At the Sarajevo Film Festival, “Everytime” was awarded the Heart of Sarajevo Grand Prize. Its North American premiere will follow in September at the Toronto Film Festival. Other festival appearances include the New York Film Festival.
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Becoming Human (Cambodia)
Image Credit: Anti-Archive The film follows Thida, the spirit guardian of an aging cinema slated for demolition, as she weighs the choice of rebirth against her existence as a ghost. Her bond with Hai, a living man she meets along the way, pushes her to confront both her spiritual fate and a country in the midst of sweeping social change.
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Possible Love (South Korea)
Image Credit: Courtesy of Netflix, Venice Film Festival “Possible Love” marks Lee’s first feature in eight years, following “Burning,” “Poetry” and “Secret Sunshine.” The film centers on two married couples whose lives intersect after a funeral: Mi-ok and her laid-off husband Ho-seok (Sul Kyung-gu), who live quietly with their young son Cheol, and Ye-ji, a filmmaker making a documentary about workers who lost their jobs, and her husband Sang-woo (Zo In-sung). When Mi-ok agrees to be filmed by Ye-ji, the two women grow close, while Mi-ok finds herself unsettled by an attraction to Sang-woo. As the two couples’ worlds overlap, cracks begin to surface in both marriages.
In its evaluation, the committee cited the film’s polished craftsmanship and the clarity of its directorial vision, pointing to the tone and mise-en-scène that sustain a sense of pressure throughout the story. The drama was described as prompting reflection on gentle forms of violence, incomplete freedom and the nature of true happiness, alongside a labor movement sequence that the committee said captured layered social undercurrents.
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Like a Limbless Tree (Turkey)
Image Credit: Courtesy Tekhne Film Davut, whose previous works include the 2015 drama “Entanglement and TV series “Serçe” and “Kinali Kuzular,” delves into the fragility of human existence against a backdrop of the theme of immigration in “Like a Limbless Tree.” The film is produced by Istanbul-based Tekhne Film and stars Ali Ipin, Fayyaz Duman and Selen Kurtaran.
Davut’s drama – which won an award at the Bosphorus Film Festival and was selected for the Antalya Golden Orange Film Festival and the Ankara Film Festival – is about a retired engineer named Refik whose life changes forever after being diagnosed with a terminal disease just as his Syrian caregiver disappears while attempting to flee to Europe, leaving him in charge of her two children.
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How to Divorce During the War (Lithuania)
Image Credit: Courtesy of New Europe Film Sales Blaževičius’ third feature won the directing award in the World Cinema Dramatic Competition at the Sundance Film Festival. The film was picked up for theatrical distribution in North America by Zeitgeist Films, in association with Kino Lorber, and will be released on Aug. 21.
Set in Vilnius in 2022, it’s a story of a high-flying executive Marija, who chooses the worst possible moment for an honest conversation with her husband Vytas about divorcing – just one day before Russia’s invasion of Ukraine goes into full scale. Now the couple must navigate the process of separation as it collides with a refugee and mid-life crisis.
